Hunter Fischer Design guru Mike forwarded these examples of Belgian interiors. He says, “Belgian design, which is a bit of the latter ’70s earth movement with a brilliant and gorgeously elegant twist, is gaining popularity right now.”
He suggests that this aesthetic may have emerged from Belgium’s polarized class structure — with an extremely poor class, a small middle class, and a “super wealthy” class. In addition, the trend may also stem from a desire for illumination, especially during the months when natural light is precious. “Light is often brought into the home through surfaces painted crisp white: chairs, armoires, and tables...”
Contrasting textures also help to define this style, juxtaposing natural woods with velvet, rough-hewn concrete with crystal-clad fixtures... The Belgian aesthetic is also distinguished by quiet tones — blue and putty, punctuated with small punches of orange or burgundy.
Despite the strength of the ’70s influence, he believes that current economic conditions will prompt designers to explore other decades, too. “While I love the new look out of Belgium, I think we may jump over the ’80s and return to the hyper-eclecticism of the early ’90s far sooner than expected... with a bad economy, there is no time like the present for bringing back such 90s cues as mixing eras, stacking suitcases to use as night tables, and making home a safe haven from the brutalities of the outside world.”
While we applaud the return of the eclectic aesthetic, here’s hoping we’ll be safe from other ’90s brutalities, including the “Rachel” haircut, Brenda Walsh-style chunky heels and MC Hammer pants.