Wednesday, July 29, 2009

Camus: Existentialist? Absurdist? Comic Genius?



Forty nine years after the death of Albert Camus (car accident, January 4, 1960), the debate continues: was Camus an existentialist? Or was he an absurdist?

Camus refuted both labels, but maybe these two terms did define him. Existentialists are often funny by accident. Absurdists, by nature, are supposed to be funny. Camus was funny.

Here are some quotes from The Fall, his 1956 confessional-style novel, which he published one year before winning the Nobel Prize for Literature, and four years before his death in a car accident. Here goes:

* There are always reasons for murdering a man. On the contrary, it is impossible to justify his living.

* Alas, after a certain age every man is responsible for his face.

* ...style, like sheer silk, too often hides eczema.

* I had principles, to be sure, such as that the wife of a friend is sacred. But I simply ceased quite sincerely, a few days before, to feel any friendship for the husband.

* ...I don't believe there is a single person I loved that I didn't eventually betray. Of course, my betrayals didn't stand in the way of my fidelity...

* He (the Lord) simply wanted to be loved, nothing more. Of course, there are those who love him, even among Christians.

* One plays at being immortal and after a few weeks one doesn't even know whether or not one can hang on till the next day.

* A single sentence will suffice for modern man: he fornicated and read the papers.

Wednesday, July 22, 2009

Go To Your Lonely Place








An angry, washed-up screenwriter, Dixon Steele (Humphrey Bogart).
A new neighbor, Laurel Gray (Gloria Grahame).
Adjacent garden court apartments.
A dead hat-check girl.
An alibi.
A love affair.
A loss of trust.








Welcome to the lush, shadowy world of In a Lonely Place, my favorite film noir, aside from those other two or three that I love best.

I found a blog that says everything I wish I’d said about Nicholas Ray’s romance gone bad, referencing Camus, Sartre, and all of the essential demons, including self-obsession, delusion, malaise, rage, repression and personal horror that I wish I could have written about half as well. But I didn’t; someone else did. If you want to read it, click here.

Or maybe you’ll see the movie -- I can’t urge you enough to put it on your watch list. And if you have seen it, then you already know that getting a massage is dangerous; it can lead to innuendo, gossip, tragedy and heartbreak. No good can come of it, but, by golly, you deserve a catharsis, and besides, you set up the shiatsu appointment weeks ago.

“I was born when she kissed me. I died when she left me. I lived a few weeks while she loved me.” Dixon Steele to Laurel Gray, reading an excerpt from his screenplay that mirrors the shards of his own life.

Monday, July 20, 2009

One-Liners



Today is National Fortune Cookie Day. So, if you’re short on time and can’t run out for Kung Pao, click here to visit one of the world's worst-designed web sites to get your fortune without the bother of acquiring a cookie. Or better yet, rent the movie.

Sunday, July 19, 2009

Haute Dogs







































The Surrealist-inspired work of Hugh Kretschmer on view at the newly launched Clark | Oshin Gallery* at The Icon was the highlight of Saturday evening’s Miracle Mile Art Walk. The images above were my favorites in the show. These and other works, which do not feature dogs, real or faux, will be on view through September 15, 2009.

*Clark | Oshin was founded by Kathleen Clark and Nan Oshin in partnership with
The Icon | 5450 Wilshire Boulevard, Los Angeles, California 90036 | 323 933 1666
To learn more about Hugh Kretschmer, visit hughkretschmer.net

One On One














Next door to the El Rey.

Friday, July 17, 2009

Happy Belated Birthday, Holden Caulfield



D*mn! I forgot to post this yesterday: J.D. Salinger’s profane-but-not-phony novel, The Catcher In the Rye, was published 51 years -- and one day -- ago.

According to Wikipedia, Jerry Lewis was an early contender to play Holden in a proposed feature film adaptation.

Sunday, July 12, 2009

Hail Mary



The Library of Congress is celebrating the centennial anniversary of Mary Pickford's career (her first film was in 1909) by co-hosting screenings of her work in theaters around the country through December.

Today at 2 pm, The Alex Theatre will show a restored 35mm print of Sparrows, the 1926 silent classic, accompanied by a live organ performance.

Sparrows is a delirium of drama and heroics. Pickford plays Mollie, the eldest in a bunch of half-starved orphans who are being abused by an evil, white-trash backwoodsman who’s running a “baby farm.” Mollie leads the children’s escape, only to face more dangers as they’re chased through alligator-infested swamps.

If you miss today’s screening, you can always rent the DVD, which isn't nearly as exciting as having a live organist, but then you can’t pause the live organist while you run to the kitchen for another herbal tea laced with hoodia and a pint of Chunky Monkey...

The Alex Theatre, 216 North Brand Boulevard, Glendale, CA 91203-2610
818 243 ALEX x2539 | www.alextheatre.org | events@alextheatre.org

Saturday, July 11, 2009

Life is a Camera, My Friend




Joel Grey’s third book, 1.3: Images from My Phone, features a collection of photos he took with his Nokia camera-phone. The bio on his book launch page modestly notes that, in addition to being a photographer, he’s “also an award-winning actor in his spare time.” Aside from a gift for understatement, the Caberet Master of Ceremonies has a sharp eye for the ephemeral and overlooked. To see more, click here.

Friday, July 10, 2009

Like a Virgin














La Virgen de Guadalupe, 
Manuel Arellano, 1691




The Los Angeles County Museum of Art recently acquired a painting of Our Lady of Guadalupe, a 17th-century work that seems to prefigure Gilda, but without the mirrors, sin, or the satin dress -- notice the four interpretations of the Virgin in the corners, surrounding the central figure.

According to Ilona Katzew, LACMA’s curator of Latin American Art, an inscription above the artist ’s signature reads, “Tocada al original” (after the original). This is an important detail, she says on LACMA’s blog, because “Images that were closer to the original were believed to be more miraculous and were therefore more valued.”

It always pays to go to the source. To read more of Katzew’s post about the legend of Our Lady and Arellano’s masterpiece, click here.

Friday, July 3, 2009

Happy 4th of July Weekend




Jasper Johns, Flag, 1967
Broad Contemporary Art Museum, third floor, 
The Los Angeles County Museum of Art